Buying Paintings: Precisionism

Also known as Cubist Realism, and related to the Art Deco movement, Precisionism was developed in the United States after World War I. The term for this movement was coined in the 1920s, and influenced by the Cubist and Futurist movements; the main themes for these paintings were mainly regarding industrialization and modernization of the American landscape. These elements were depicted with the use of precise and sharply defined geometrical shapes, a reverence for the industrial age, but with social commentary not a directly fundamental part.

The degrees of abstraction ran the spectrum as some works had photo realistic qualities, and though the movement had no presence outside of the United States, the artists that made up this particular grouping were a closely knit collective remaining active through to the 1930s. Georgia O’Keefe remained as one of the leading proponents of this style, and stayed so for many years afterwards until the 1960s, her husband was a highly regarded mentor for the group. In a post post-Expressionist phase of life in the art world, Precisionism has affected and influenced the movements of magic realism which utilizes aspects such as juxtaposing of forward movement with a sense of distance, and pop art in which themes from mass culture were used to define art much there forward.

Just after the 1950s began, the movement of pop art was clear in places such as Britain and the United States, and employed elements of advertising and comic books to create a foundation that might have been taken as a reaction to the then popular movement of abstract expressionism. Though the term wasn’t coined until 1958, it was later linked with Dadaism from the beginning of the century, and at one point was called Neo-Dada because of the strong influence from artist Marcel Duchamp. Later affecting artists like Andy Warhol and Jasper Johns, bringing the definition to come to mean one of low-cost mass-produced and gimmicky artwork, and stressing everyday values with common sources like product packaging and celebrity photographs.

By exploring that fraction of everyday imagery, the artists found themselves working with contemporary consumer culture, and this became apparent in parts of Britain, Spain, and Japan around the same point in time. In Britain in particular, where pop art seemed to stem from at that point in 1947, and many works began blurring the boundaries between art and advertising. Whereas in Spain, the movement became interrelated with the “new figurative”, the work arose from the roots of informalism which began to be a critical aspect in this part of the world.

In Japan, pop art has been seen and utilized throughout much of the country’s native artwork through such means as Anime and the “superflat” styles of art, and became the means through which the artists could further critique their own culture through a more satirical lens. When choosing a stimulating piece by these artists, it may be a more invigorating exercise to find some of those other artists to whom these later artists owe much of their inspiration towards their own work, and Precisionism is just as appropriate a place to start for you as anywhere else in the artistic spectrum.

Today, Precisionism can be seen as fundamental influence in commercial and popular art, but cannot be too overlooked as being one of a few different movements to affect our present day stance on art’s utility and functions. With the postmodern present coming to light, maybe we shall once again be drawn back to the past that we have come to take for granted too often, and reveal a new age to define a new century of experience.

Buying Paintings: Neoclassicism

Between the 18th and 20th centuries, a few quite distinctive trends were absorbed into the category of Neoclassicism, and it during these times that the movement as a whole came to absorb the classical inspirations that created a revival of ideals. These ideals, though standards from ages past, were defined by the artists synthesis of these elements into new works of art. It does not recreate styles of art from scratch, but instead shows the artists control over a particular body of classical works. By drawing from the classics of the past, Neoclassicism was paying tribute to eras of awareness that perhaps slipped away, but to regain some sense of these classical influences.

In Europe, neoclassicism began as a reaction against the Baroque and Rococo styles, and a desired return to the art of Romanesque and Renaissance classicism. Each individual grouping of Neoclassicism, whether affecting architecture or the visual arts, has attempted to capture the ideas of times gone by to utilize them in forms of art that were considered modern at the time. In neoclassicist painting in particular, the subject matter seems to hearken back to those classical ideas by reviving those Greek to Renaissance themes, and forcing them into peculiar constraints that would recreate the elements into new formats.

The Neoclassical style of artwork was heavily present during both the American and French Revolutions, and revival in the interest of classical thought in the style of ancient Greece and Rome, at times affecting a more Byzantine stance in some countries. A counterbalance came in the form of the Romanticism movement, and it never replaced Neoclassicism so much as aided in the influencing of many artists throughout the 19th century and beyond. When the architecture began to dominate the main aspects of neoclassicism, and has been found to be academically selective of the best Roman models guided with self-restraint.

At first, the style had been grafted with other popular European forms of architecture, and this style became quite pronounced as neo-classically inspired furnishings were popular for the time. The style soon had international renown, and it was at this point that the architecture became strongly influenced by Roman designs after the discoveries at Pompeii, during excavations that took place at that time. Though all these designs seem a bit absurd and overcomplicated nowadays, there was a flush of Greek inspired work in the forms of busts and vases after 1800, and this was called the Greek revival.

Continuing to be a force after the turn of the 19th century, even as Romanticism and Gothic styles took favor, but it seemed anti-modern to influential critical circles by the late 19th century. In the mid-19th century, several European cities had grandiose examples of the neoclassical style of architecture, and even early American architecture reflected this movement in various national monuments, and some of those monuments were the Lincoln Memorial and the National Gallery in Washington D. C. Soon, however, World War II would shatter those preconceptions for the world round.

Covertly, there were many modernists that chose to express a neoclassical influence with subtle tribute here and there, and even Picasso played around with reincorporating neoclassical motifs into his work at one time. Even the Art Deco style was using these ideas on a very sly level of utilization, playing with classic Grecian lines and even breaking out in American culture through architecture and the dime by 1950, and became a strong ideology in the time between both World Wars. This literary and very literal side of the movement rejected the romanticism of Dada, for example, for the restraint of religion and reactionary politics.

It can be a difficult bout to sort through all these items to find the ideal artwork that you would enjoy, and there many whose catalogs are extensive to say the least, making it quite an effort to glimpse through all of those works to find the pieces that you would enjoy the most. Finding the particular classifications that art periods fall under, such as neoclassicism, can keep your interest guided by where you can find most amount of work that you can acquire. Keep in mind, however, that many of these pieces are quite priceless to many collectors, and that buying a print of a particular famed work mat be more cost-effective for your budget.

Buying Paintings: Minimalism

Though I could enjoy speaking on the topic of art for sometime, I found myself without a way to truly understand the differing values in the ways of thought that permeate this grouping of human experience, and found myself looking to sources over the Internet to further my knowledge to utilize the information gathered to purchase paintings. I have always been interested in the passions evoked by the series of artists and movements that proliferate what we have come to know as the history of art. Reflecting on this notion of life’s passing interaction whether Romanticist, Surrealist, or Minimalist in nature.

Speaking on Minimalism now, the ideas that made this movement unique relied heavily upon the work being stripped down to the barest fundamental aspects, and laying bare those integral parts of self-expression. Many pieces of work other than visual art has been affected by these ideals of minimalism, and acted outside of this particular aesthetic appeal, creating new ways to interpret literature and even lifestyles. As far as painting goes, however, the minimalist paintings will typically use limited color schemes and simple geometric designs. Minimalist sculpture is focused on the materials used.

Some of the phases commonly agreed on about this movement are each notable for how they have progressed the overall conception of minimalism as a movement. A distillation in forms was the first phase, with contributors claiming in order to create a universal language of art that masses were meant to understand easily, and seemed poised to support the rapid industrialization for particular settings of the time. Searching for a purity of form, and paving the way for the abstractions to come later on, allowing for the second more notable phase to reach its’ crescendo afterwards.

Much of the formats for commercial artwork we see today have had a great deal of background in this movement of visual art, allowing us to understand on a fundamental level what the message is that the work is trying to convey, and a large amount of the signs and signals we find today relies heavily upon these ideals to translate a universal meaning to the general populace. We can easily see the progression of minimalism in these examples of the world over, and it almost as ingrained into our society now as much as we care to see.

A minimalist painting will typically use a very limited amount of colors and have a very simplistic geometric design. Minimalism in sculpture, on the other hand, is much more concerned with the materials used. Many people believe that minimalism in generally is about geometric shapes, but this interpretation depends widely on the branch of art as well as the interpreter.

But the simplest way to describe minimalism is that the less that is in the painting or work of art, the better it is. Minimalism is all about drawing attention to the few objects and colors of the composition. In this way minimalism shows us that less is better, for the eye is not drawn away by this of that filler or extra objects.

Minimalism is about starting with nothing and then carefully applying the few objects and colors that will define the piece as a whole. Minimalism is still one of the major parts of contemporary art, but it is used I conjunction with other styles and flairs from other art movements to form new types of minimalism.

Buying Paintings: Gothic Art

Some of the most valuable early artwork comes from a point of time before the Renaissance had begun, and going on through the early Middle Ages, referred to as the period of Gothic art. During this particular time in history, the artwork took on telling narrative stories through pictures, and much of these pieces were Christian and secular in nature. Some of the earliest examples of Gothic art are sculptures found on cathedral and abbey walls, and the first real form of Gothic artwork began as architectural works in fact, even becoming the subject matter for many stained glass windows at the time.

The style of painting that further defined Gothic art wasn’t produced until nearly fifty years after Gothic architecture and sculptures, and even though the break between Romanesque artwork and the Gothic styles has remained imprecise at best, the beginnings of Gothic artwork seems to occur in various areas at different but related intervals. The artwork began in England and France around 1200, and in other areas like Germany and Italy between 1220 and 1300. The paintings stayed just as narrative as the architecture on church walls during this time, and has stayed the territory of secular storytelling for a long time afterwards.

Though Gothic art in paintings has had a relatively short time as the medium of choice amongst the artists, there is evidence that the artwork falls into four particular styles of these paintings, and these were the most common forms during this time period. The fresco, the panel painting, the illuminated manuscript, and the artwork done on stained glass are all depictions of Gothic painting. Of these particular types, stained glass artwork had remained a strong reminder of those ages long past, and is still created by master artisans that learned their trade skills from these dark ages.

In the case of the other three particular forms of Gothic painting, frescoes continued to be used as the pictorial narratives on church walls in southern Europe, and were a consistent incorporation of early Christian and Romanesque traditions. In Italy, during the 13th century, the panel painting began and spread throughout Europe. With this proliferation, panel paintings became even more predominant by the 15th century, and becoming even more popular than stained glass at the time. Since not all monumental works have survived, illuminated manuscripts are the most complete record of Gothic painting, and provide a comprehensive account of styles that would otherwise perished.

As the state of the world began to change, so too did the interpretations of the artwork as a reflection of these changing times and attitudes, and the movement became known as International Gothic by the late 15th century. From there, it had evolved into an art form depicting not just secular stories and allegories, but also resulted in the occurrence of more illuminated manuscripts and paintings as increased trade and the rise of cities and universities grew. With this proliferation of growth, more people were literate, and lead to better records kept with this occurring. Leading up to many of the well-known medieval artists today.

The International Gothic style of artwork was developed in Burgundy, Bohemia, and northern Italy in the late 13th and early 14th centuries. During this period in Gothic art, artists traveled widely around the civilized world at the time creating a common aesthetic among the aristocracy of the time, and removing the concepts of contrary artistic styles. The main influences for this period in artwork were derived from northern France, the Netherlands, and Italy. It was during this time, that aspects of rational uses of perspective and setting became a common feature, and other features included flowing lines and rich coloring.

In the case of Gothic sculpture, it had evolved from the elongated forms of the Romanesque style, and became a more naturalistic expression in the early 12th and late 13th centuries. Influences from Greek and Roman statuary were incorporated into drapery, facial expressions, and poses. The sculptor Claus Sluter and the changing tastes for more naturalistic styles became a harbinger for the end of the Gothic period of art, and signaled the beginning of the evolution into Renaissance period at the end of the 15th century.

In a time period where upheaval was the normal occurrence of many of the people then, Gothic art fell into the broad scope of medieval artwork that included such disparate elements and styles as Viking art and Celtic art, but in varying degrees relied upon the artistic heritage of the Roman Empire and the early Christian Church. In fact, much medieval artwork has the history of these elements conjoining and converging into the remarkable artistic legacy we read about today, and have contributed over time to the outcome of many other forms of art from the Renaissance to the present day.